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Church of Saint-Sulpice, Paris : ウィキペディア英語版
Church of Saint-Sulpice, Paris

Saint-Sulpice ((:sɛ̃sylpis)) is a Roman Catholic church in Paris, France, on the east side of the Place Saint-Sulpice within the rue Bonaparte, in the Luxembourg Quarter of the 6th arrondissement. At 113 metres long, 58 metres in width and 34 metres tall, it is only slightly smaller than Notre-Dame and thus the second largest church in the city. It is dedicated to Sulpitius the Pious. During the 18th century, an elaborate gnomon, the Gnomon of Saint-Sulpice, was constructed in the church.
==History==

The present church is the second building on the site, erected over a Romanesque church originally constructed during the 13th century. Additions were made over the centuries, up to 1631. The new building was founded in 1646 by parish priest Jean-Jacques Olier (1608–1657) who had established the Society of Saint-Sulpice, a clerical congregation, and a seminary attached to the church. Anne of Austria laid the first stone.〔Kauffmann 2003, p.156.〕
Construction began in 1646 to designs which had been created in 1636 by Christophe Gamard, but the Fronde interfered, and only the Lady Chapel had been built by 1660, when Daniel Gittard provided a new general design for most of the church.〔In 1655 Louis Le Vau submitted a design, essentially an augmentation of Gamard's project, but Gittard's proposal, in its turn largely based on the plans of Gamard and Le Vau, was preferred (Himmelfarb 1998; Ayers 2004, p. 126).〕 Gittard completed the sanctuary, ambulatory, apsidal chapels, transept, and north portal (1670–1678), after which construction was halted for lack of funds.〔Himmelfarb 1998; Ayers 2004, pp. 126–127.〕
Gilles-Marie Oppenord and Giovanni Servandoni, adhering closely to Gittard's designs, supervised further construction (mainly the nave and side-chapels, 1719–1745).〔 The decoration was executed by the brothers Sébastien-Antoine Slodtz (1695–1742) and Paul-Ambroise Slodtz (1702–1758).〔Terrien 2004, p. 17.〕
In 1723–1724 Oppenord created the north and south portals of the transept with an unusual interior design for the ends: concave walls with nearly engaged Corinthian columns instead of the pilasters found in other parts of the church. He also built a bell-tower on top of the transept crossing (c. 1725), which threatened to collapse the structure because of its weight and had to be removed. This miscalculation may account for the fact that Oppenord was then relieved of his duties as an architect and restricted to designing decoration.〔

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